Sunday, 5 July 2009

Early Summer in Staffordshire


A bit quiet on the blog lately, due chiefly to a pressing book deadline. I'm indoors sweating over a drawing board rather than under the summer sun, but almost done now, I'll post images when it's all handed in.

Nevertheless, much as I yearn for London, there's much around here to count blessings for .

Wednesday, 10 June 2009

"Nasty" Interior art

Some of the full page interior cuts from the new edition of Michael Rosen's "Nasty".

The Book consists of a series of comic horror tall tales related by a woman first met by the narrator in a London pub. Among other things a giant flea infesting the Underground, belligerent wasps in the middle of winter, poisonous burgers, mouse hypnotising, and a runaway grizzy bear, lots of fun to illustrate.

The book is released on 6th August and can be pre-ordered from Amazon.



Tuesday, 9 June 2009

New Children's Laureate

Anthony Browne has been elected the new Children's Laureate in UK, as reported by the Guardian here.

"Browne said that he would use his two-year stint as laureate to focus on the appreciation of picture books, and the reading of both pictures and words. 'Picture books are for everybody at any age, not books to be left behind as we grow older'..."

This is wonderful news, not only is Browne a fantastic illustrator he's a great spokesman for children's books. Picture books have been in the doldrums for several years now, let's hope that despite the recession things will start looking up. Go for it Anthony!

Friday, 5 June 2009

Illustration Friday - Craving


I promise more essays on the way soon, but for now something for this week's Illustration Friday topic "craving".

It's a spread from the picture book 12の月たち (12 no Tsuki-tachi, or "The Twelve months" in English), first published back in 1991 in Japan. It's a classic fairytale from Slovakia, following the tale of gentle Marushka who is sent out into the freezing winter forest to bring back impossible things for her cruel stepmother and bullying step sister. First they crave violets, then strawberries, and finally apples. Each time the frozen girl is helped by one of 12 brothers in the woods, each representing one of the 12 months, who change the seasons to give her the items. Needless to say, it all ends badly for the evil step-mother and sister when they go seeking the fruits themselves.

The book, released by Miki House in Japan, has been through several reprints already, and a new edition is to be released later this year. Drawn in a very traditional style, this is one of my biggest selling titles in Japan. Sadly, no release in the West though.

Friday, 22 May 2009

Cracked

Another children's book illustration that fits this weeks Illustration Friday theme "cracked". This was from Hoppy no Atarashii Uchi (Hoppy's New House), one of my own stories published by Fukuinkan Shoten in Japan.

Thursday, 21 May 2009

Nasty!

The latest book I've been working on is a new edition of Children's Laureate Michael Rosen's "Nasty" for Barn Owl Books in London. First released in the 1980's, this new edition will run with 25 black and white text drawings by yours truly, plus colour cover.

All will be revealed in August when the book is released, in the meantime here's a sneak preview of the cover design.

Friday, 8 May 2009

Parade

Here's something from the cupboard that matches this weeks Illustration Friday brief "Parade". It's from the picture book King Smelly Feet, written by Hiawyn Oram, released in the UK by Andersen Press a few years ago.

Tuesday, 5 May 2009

Escapism

Here's a very recent doodle. I seem to be drawing a lot of fantasy towns lately, I think it's all part of the way my mind works with escapism.


Strange to say, much as I love the natural world my imagination tends to be most energized when I'm in a crowded, urban city environment. I love the country, exploring forests and craggy landscapes, but if I spend too long away from the city my imagination is dulled. My mind perhaps feeds off the surroundings but rarely goes beyond, I become relaxed and inspired by oneness with nature, but that's as far as it goes.

In the city however I'm always mentally escaping, my imagination is constantly finding ways to soar beyond the concrete or seeking escapism within it. It's that switching-off from reality, a yearning to escape the shackles of the town that really motivates my fantasy vision.

It's a paradox that although my art is closely connected to the natural world I need the city for my creative vision to soar. In essence I need both - no trees: no vision, but no city: no escapism. The more concrete, the more inhuman the environment, the more I seek humanity in my art. Many of the greatest fantasy artists are often from very urban backgrounds, it can be said that city dwellers really appreciate the fantastic properties of the natural world because they yearned for these things when they grew up. Fantasy for them is a magical release from the humdrum.

Tuesday, 28 April 2009

SCBWI British Isles Featured Artist

My work for children's literature is currently being showcased by SCBWI British Isles, having elected me the current Featured Artist. The website spotlight runs until July.

Many thanks to the organizers.

Thursday, 23 April 2009

St Georges Day

Well I'm not what anyone would describe as much of a patriot, but it seems in my long absence from the UK that celebrating the patron saint of England is nowadays acceptable. Actually I'm only half English (the other being Welsh), but any excuse to celebrate. Here's something I did for the George & Dragon pub in Florida a while back.

Happy St.Georges Day!

Tuesday, 21 April 2009

Doodling

My thanks to Desdemona McCannon for querying the subject of doodling for a feature she's writing for Varoom (AOI magazine). I'm repeating my response here:

I always carry a small sketchbook with me everywhere I go, sometimes I use it to sketch, sometimes to practice, sometimes to work out ideas for jobs, and sometimes just to doodle. Doodling is a distinct activity for me. It's never sketching, it's not preparative drawing, and never has any deliberate connection to work, were it so it would cease to be a doodle. Doodling is something unto itself.

A typical day's rambling

For me it's all about flexing of the boundaries, going outside parameters of what I think my professional style should be. All of the baggage of career can be put aside for a while. Doodling can be an exploration of texture on the page, often in my case it's an exploration of grotesque, which is perhaps odd as my professional work is rarely grotesque at all.

I remember in younger years I would often get into trouble with my parents for defacing photos of celebrities in Radio Times etc, you know, adding goggle eyes, goatees and afro hairstyles. Mum and Dad could never see the creativity in it all. I think my doodles can be an extension of that pleasure.

It's an antidote to the need to please others, I doodle purely for my own enjoyment. Doodling is emotional therapy. It has no forced point to it, I never sit down and think "okey, I'm going to doodle about this" so, relieved of the weight of the commission or need to explain itself, the drawing follows it's own course, it soars, it breathes as it expands, and through that it connects with creativity in an unforced, natural manner.

Half way through a "serious" sketch I often reach a point when I think - "hey, this is quite good" and that's the time to stop. But with a doodle often I don't stop, I carry on, seeing it through to the bitter end, fill the page or push it so the drawing is overweight or ruined. It's not important, because sometimes the act of doodling is more important than the final product. For me sketches and working drawings are often quite light, doodles on the other hand can be heavy or laden.

Are doodles art? I think they can be, if, as they unravel themselves, they touch on your emotional state, or other subconscious thoughts, and can connect with the viewer. But it doesn't always happen, and the more self conscious you become, the more you feel you need to make a pleasing drawing, somehow the less personal it becomes. Great doodles should create themselves, they should meander from the end of your pen almost without command. Ideally anyway.

Thursday, 9 April 2009

Family Reminders images

Here's a sneak preview of some of the drawings from the book.





One of the most interesting things about working on historical fiction is researching the period. I've always been fascinated by history, I often think if I wasn't an illustrator I'd have become a researcher or archaeologist, nevertheless I have to admit my knowledge of 1880's Colorado was limited. Nowadays the internet is a great help in finding accurate period references, but the publishers also kindly sent me a package of material to give me a very clear idea of the setting. For book illustrators it's important to be able to use the details of reference material to place yourself right in the location and time period. Often the pursuit of visual reference takes you in paths completely unrelated to the book. Thanks to Family Reminders I've learned a great deal about the gold rush, Colorado, and the late nineteenth century frontier in general.

Although the book is fiction, the location, the furniture, costume, hair styles and outside scenes are all based closely on actual references from Cripple Creek at the time, so I'm quietly confident that although I've never visited the town, my drawings fit accurately. If you see any slip ups however do let me know!






Wednesday, 8 April 2009

Family Reminders

My next book out in America will be Family Reminders. Written by Julie Danneberg and published by Charlesbridge, with black and white illustrations by your's truely.

Mary McHugh has a nearly perfect life in the frontier town of Cripple Creek, Colorado, but all that changes when her father suffers a serius mining accident. He no longer whistles, plays the piano, or carves the intricate wooden "Reminders" that mark the milestones in the family's life together. Mostly he sits in silence at the kitchen table or sleeps. As winter's chill gives way to spring's thaw, Mary tries to remind her family of how much they have to live for - namely, each other.
(From the jacket copy).

The book is officially released on 1st July, though you can pre-order on Amazon. Here's the cover

Friday, 27 March 2009

sketchbook fantasies

Some more pen on paper meandering from the pocket sketchbook. Where is it leading? Who knows, like most quests of discovery the journey is often more important than the destination.



Wednesday, 25 March 2009

Nichiban artwork

Last year I was commissioned to create the illustrations for a web-only pop-up book "Mori no Yosei Monogatari" to celebrate the 60th Anniversary of Japanese Sellotape manufacturer Nichiban (you can still see the book by clicking on the book icon here).

It was an advertising campaign more than a children's book commission. To emphasise the eco-friendly policy of the company I was asked to create the images in a deliberately traditional style. It's difficult to see some of the detail in the web book, so here are a few scans of the artwork.





Monday, 23 March 2009

Skylark

Here's a sad story of our times. A couple of years ago I was commissioned to work on a brand new logo to revamp the dated image of Skylark, a well known but financially troubled family restaurant chain, with branches all across Japan. Hard did I work, well did the designer pitch the designs, but unfortunately the presentation was cancelled, as so often happens in advertising today.






















I presumed we'd just been defeated by a rival design, but I see that Skylark is still today using the original old 1970's logo. Facing a financial crisis perhaps the company felt they simply couldn't afford to change it's public image now. I'd have thought changing the image should be a priority! Last August the company sacked it's boss.

Oh well, my images may not be plastered all over Japan's highways, but at least I can show them here.

Friday, 20 March 2009

Children's books in the Recession

No I'm not panicking, but all the bleak news of recession, failing industries, belly-up banks and job losses make it well to shore up the defences against whatever may loom on the horizon. So Spring cleaning this year for me is all about polishing up my business as an illustrator, updating my website, focusing on work, hopefully getting some new children's stories on paper. Publishing is getting tougher by the week we hear, if the public has less money to spend then book sales will suffer.

And yet I'm not quite so convinced by all this. Sure, people will be less willing to buy unnecessary items, but to what degree does it affect book sales? My daughter's after-school teacher tells me that in her house at least she's buying fewer toys but more books, as they seem better value for money (she's talking about discounted titles), they last longer and are more educational. She seems to be worried that her kids are not developing the skills to equip them to face harder times. Strange how it takes fears of a recession to see these things.

My great bone of contention with publishing in the UK is the practice of discounting. In Japan there is no discounting at all. Books have a price printed on the cover and that's what they are sold for, never a yen less, where ever you go, whatever shop. If they're not sold the books are returned to the publisher and pulped, but they usually have quite a long shelf life before that happens. Authors and illustrators are paid a fee based on a royalty percentage of the entire print-run, whether books sell or not, it's straightforward and I think pretty fair.

In the UK however many books are offered at 3 for the price of 2 in the big chain stores, they're discounted through supermarkets, they're sold for a fraction of their original price in discount bookshops, and, worst case of all, last years children's books can be bought on my local market for £1 each, a mere 10% of the cover price. Naturally when times are hard the general public will go for the cheapest option, so sales of full price books will evitably suffer. Sadly, little if any of the funds from sales of heavily discounted books find their way to the author and artist. As one well known illustrator in the UK admits to me, even if your books sell, it's becoming almost impossible to earn enough from children's books alone to survive.

However in comparison to many jobs under threat there is still some hope for artists and writers, at least we have our talents, we have options to pursue, even though it may take us in different creative directions. I for one am not putting all my eggs into the basket of publishing, though I'm working hard in the field, I also have my commercial illustration career in Japan, for that I'm very grateful. In times like these nothing is to be neglected.

Wednesday, 18 March 2009

Doodle


Passing the time on a train journey.

All I need is my trusty pocket sketchbook and I'm a happy man.

Tuesday, 10 March 2009

Japanese language blog

I've decided to try running a Japanese language blog for my clients and friends in Japan. I expect some of the material may repeat themes in this blog, and I'm not sure how often I'll be able to update it, but if you read Japanese please have a look.

In the vain hope not too many people will laugh in derision at my kanji construction, all comments are welcome!

Sunday, 22 February 2009

Nutmeg Award

I’ve just learned that a novel I illustrated a few years back, MVP: Magellan Voyage Project by Douglas Evans, has just won an award in the USA, the Nutmeg Award in Connecticut.

As the award is for the book, not just my drawings, most of the kudos must go to author Douglas Evans, nevertheless an award is an award!

MVP is a great read, packed full of fun and adventure, as the hero joins in a race across the world pursued by various villains and rivals. Here's some of my contributions.





Sunday, 15 February 2009

Exhibition images - original work

I don't usually sell my picture book illustrations when I exhibit, as I don't like breaking up sets of artwork. A picture book might contain 20 or more pieces of artwork, if I were to sell just one piece it would break up the set. I'm reluctant to do this, especially with my Japanese published books as there's always the chance I might sell the reproduction rights to a publisher in the West for an English or other language edition, and it's always better to have the original artwork available. If however someone were to buy the entire books worth of originals it would be a different story, I'm always up for offers!

Artwork for single book covers, editorial etc was available for sale however (some examples are on my page at Children's Illustrators.com).

As I didn't want to sell a large proportion of my published work I also created a number of original unique pieces especially for the show. Here they are, some are still available for sale or prints, contact me for prices.





Exhibition images - The House of the World

But what about the pictures? I hear you say.

A lot of work on display was from my published books etc, especially my last two picture books The Boat in the Tree (Front Street, USA) and The House of the World (Benesse, Japan). The latter title is part of the Benesse Worldwide Kids series in Japan and is not available in the shops, so here's a couple of spreads that were on display.


Friday, 13 February 2009

Gallery visitors

I have no pictures from the opening party, but here are a few of the many friends who dropped by to make the exhibition so memorable.

The Gallery staff, left to right: Saeko Hiraide, owner Yuki Saisu, me, and Mami Suzuki.


Suspense author Hiroyuki Watanabe


My US agent Laura Rennert



Graphic Designer Miyuki Saito and bag designer Kosuke Iwagami



Photographer Hitoshi Iwakiri

More Gallery snapshots....





The gallery is on the corner of Koto Dori, just over the road from the brand new Kinokuniya Building, an impressive twisted tower thats lit up at night in continually changing colours.



kinokuniya


The snap above was taken from the gallery stock room.

Exhibition report

Daughter Seren and I are back in the chilly UK now after 3 wonderful weeks in Tokyo. My exhibition Kingdoms Curious at Pinpoint Gallery was a great success, with over 200 attendees over the two weeks. Following the show I gave a presentation to SCBWI Tokyo on creating "Power Portfolios", if I get some event snapshots I'll post them here, but in the meantime here's a few snippets from the exhibition.




Seren made herself very useful setting up the show.










A few panoramas of the gallery. Pinpoint is a relatively small space, but ideally located right in the middle of the fashionable Aoyama district and highly focused on children's books. For a book illustrator it's the perfect size for a solo show. There were 32 pictures on display altogether, mainly from my published picture books like The Boat in the Tree and The House of the World, but with a number of graphic works created especially for the show too.



The majority of images represented a selection of work from the last three years.




I was in the gallery for around 4 hours every day. Seren was occupied by a growing number of activities, games and gifts and was an angel... for the first week at least!




A few of my more recent books released in Japan were on sale, like the Japanese edition of Jenny Nimmo's Charlie Bone series (Tokuma Shoten), and Zipper-kun to Chaku no Maho (Rironsha).

Friday, 30 January 2009

Back in Tokyo

It's fantastic to be back in Japan, albeit for just three short weeks while my show runs. On top of tremendous reunions with old friends and colleagues again, it's been great to see the city of Tokyo with refreshed eyes, when you live somewhere for a long time (21 years in my case) you somehow become blinded to the wonders of the environment around you. Coming back to the city after a year, I can't get over how incredible Tokyo really is. This first week I've been in a constant state of euphoria, tempered by the knowledge that I no longer live here. It feels like coming home.

The exhibition has so far been a great success, with many faces old and new dropping in to the gallery. Unfortunately I was too busy to arrange snapshots of the opening party, but I'll post some pictures of the show when I can.

Pinpoint Gallery is one of the key illustration focused spaces in Tokyo, this is the first time I'm exhibiting here, I'm privileged to have this opportunity, thanks to owner Saisu-san and her staff, and the support of old friends like Kiyo Tanaka, who loaned me my old frames.

If you're in Tokyo please drop in, I'm in the gallery from 3.00pm daily

Saturday, 24 January 2009

Exhibition in Tokyo - Kingdoms Curious



John Shelley Illustration Exhibition
Kingdoms Curious

26th January - 7th February 2009
11.00~19.00 daily
Saturday: closes 17.00 Closed Sunday

Pinpoint Galley

Futaba Bldg. B1, 5-10-1 Minami Aoyama,
Minato-ku, Tokyo, 107-0062
TEL:03-3409-8268 FAX:03-3498-5978

In this show I've aimed to bring together the "curious kingdoms" of my imagination. Illustrations from children's book include examples from "The House of the World" (Benesse 2008) and The Boat in the Tree (Front Street, USA 2007), plus various other graphic works.

Circumstances permitting I intend to be in the Gallery from around 15.00pm daily.

Thursday, 8 January 2009

music while you work

Want to know the kind of music I listen to when working and otherwise?

Click here on Blip FM

blip.fm is a lot of fun, you can play DJ and post your favorite tunes from the extensive (though not comprehensive) selection, and subscribe to other feeds to keep you happy when you're busy.

A wide variety of music from all over the world. Highly recommended.

Monday, 5 January 2009

Best Wishes for the New Year

Thursday, 18 December 2008

Hornsey Gallery Reception Party

Many thanks to everyone who showed up for the author/illustrator event and exhibition reception party for the Children's Illustrators show at Hornsey Gallery on the 16th, it was a very busy day and a great success. During the day the Wood Green bookshop sold books from local authors as well as the exhibiting illustrators, though as all my work is published outside the UK at the moment I had nothing to sell except limited edition prints. In the evening the reception event drew publishers, authors, illustrators and at least one agent as well as members of the general public.

I was pretty busy so I don't have any photographs to show yet, but there were two photographers from the local press present so there may be some snapshots available later. The show runs until the beginning of January, I won't be in the gallery again until it's closure, but I'll try to take some snapshots then.

If anyone is able to get to Crouch End do drop in, the gallery is upstairs of Hornsey Library.

My greatest thanks to the organizers Elena Pippou and Sean Edwards for all their hard work, and to fellow exhibitors Ros Asquith, Tanya Linch, Sian Pattenden and Jane Ray.